In Search of Peace and Serenity V - Still I Rise

STILL I RISE



You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
I'll rise, eventually.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Out of the huts of history's shame
I rise

Up from a past that's rooted in pain
I rise

I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of regret and fear
I rise

Into a daybreak that's wondrously clear
I rise

Bringing the gifts that my faith gave,
I am the dream and the hope of His slave.
I rise. I rise. I rise.

-Maya Angelou-

*Special thanks to Nazaruddin @ Damak for recommending this poem for this shot

High tide, Pantai Jeram, Jan 2011

Hasselblad 553ELX, CZ 120 makro planar
Fuji Acros 100, Hc110 Dil E (1:47) 7mins @ 20C

In Search of Peace and Serenity IV - Resemblance

I found myself again at the same spot. This place has been presenting me with massive photographing opportunities but I would like to take my time to digest and capture the content of what this place can bring to me. Here's another shot called Resemblance. If you look closely, you'll notice that the shape of the tree on the foreground is about the same as the shape of the island at the back.

Resemblance

High tide, Pantai Jeram, Jan 2011
Hasselblad 553ELX, CZ 120 makro planar
Fuji Acros 100, Hc110 Dil E (1:47) 7mins @ 20C

In Search of Peace and Serenity III - The Journey of Life

The journey of life is an adventure into the unknown. The lifespan varies. This applies to nature, human and even the invention of mankind.

"To some, life is a very long journey,
To some others, it never even started.."

Dead trees pond, near Pantai Remis, Jan 2011

What attracted me to this shot was the 2 different elements of nature and manmade structure. The massive curls and bends of the trees symbolizes the long life lived, and the winding path thru life. The absence of leaves shows the presence of death or 'end of the road' for the trees. On the other hand, there's this small piece of concrete that was meant to be an architectural structure of some sort, perhaps a hut, small building, etc. that was left abandoned. For the structure, life was very short, in fact it's life ended prematurely.. in contrast to the life lived by the trees.

Shot on Hasselblad 553ELX with CZ 120 Makro Planar, on Fuji Acros 100. Developed with Kodak HC110 Dilution E (1:49) 7 mins @ 20C

In Search of Peace and Serenity II - The Struggle for Life

Continuing the "In Search of Peach and Serenity", me and wife together with another friend, Malee, ventured to Klang for another quick trip there. One particular tree caught my attention there..

The Struggle for Life

It really caught my attention to see how the tree sort of balanced itself to gain a strong grasp of the Earth.. to live. It was an overcast day, but for a very short time frame, the sun shines giving the tree its glow, enhancing the details of the tree with beautiful highlights and shadows. Sort of like a blessing. If you look further into the photo, you'll see a fishing boat symbolizing the struggles of human for life as well, against the vast sea.

Shot with Hasselblad 553elx, Zeiss 120 Makro Planar CF on Fuji Acros 100. Developed with Kodak HC110 Dilution E (1:49) 7mins @ 20C.

Pushing Tri-X to the Extreme (ASA25600)

Back in July during a photo trip to Kelantan with Eddieputera and Sarip, I've had the chance to shoot a scene that is pitch black. It was a scene at the fishing dock where a fishing vessel stopped by for a rest after being in the sea for about 1 month. That night there was a storm brewing so super dark clouds engulfed the skies. There's no other light source around except a couple light bulbs on the vessel itself. It was raining heavily and that made the shot even tougher. I wanted to capture this shot at a fraction of a second. Putting it on long exposure would've made the vessel blur. Yes, I could probably get away with a 1-2 sec shot at a lower ASA, but I figured, might as well hit the extreme just for the sake of trying and testing out the pushing capabilities of this film.

This shot was metered at ASA25,600. Having a Tri-X on my Hassy back, I've decided to give it a go. After doing some research on the flow to push the Tri-X up 6-stops, I've settled with the following..

Rodinal 1:100, 3 hours semi stand development with 2 swirls to the tank every 30mins. After 1 1/2 hours, I replaced the developer with a fresh batch (to avoid the risk of exhaustion).

What I got was a muddy negs. Putting it onto the scanner, here's what I got. No tweaking on this scan. I kinda like the look.

I did played around in Photoshop, where I set the black for the tones. Here's what I got.

All in all, I think I prefer the original look better. It looks classical and seemed very special, considering the circumstances that I had to go thru to shot this scene, plus the darkroom processes afterwards. I will remember this shot for a very long time.. will be printing it and framed it on my wall.

In Search of Peace and Serenity - Kg Telok, Port Dickson

It has been so long since I last do landscape works. Last weekend, wifey suggested that we went for a drive to Port Dickson. After all that happened to us in the past few weeks, we needed search for calmness and sense of serenity. A short roadtrip to a calm seaside would do the trick.

I remembered a shot from a good friend, Liewwk at this spot. I asked him for the directions, checked out the tides schedule for Port Dickson and off we went in the morning.

Here's some shots during the high tide when we were there.. This is just the first trip. We will revisit this place again, during low tide, for sure ;)

Untitled

A Path to Paradise - A long and winding journey to happiness. Sometimes it's smooth, sometimes there a detour filled with obstacles and sometimes it seems to be an impossible task to reach eternal happiness. Determination ensure the success to achieve that rewarding end.

A State of Perseverance - Life can be very challenging at times. Series of continuous waves of obstacles and tests hits at you at all times to test how strong your character is. Patience is a virtue. The patience to withstand those waves renders a much more soothing and calm outcome, silky smooth.

The One that Got Away -The toughest test by far me and my wife have ever experienced. He will remain in both our memories forever. The storyline has been written beforehand, we can only put our efforts and hope for the best. By far the best 20 weeks EVER experienced.. but shortlived. May you rest in peace, "anak ayah"...

Life surely goes on.. what happened has brought us closer together. It's for the best.. we're sure of that. There will be more of these works from me.. "In search of peace and serenity"...

*Photos shot using Hasselblad 553ELX with CZ 50mm Distagon and 120mm Makro Planar with Hoya ND400 on Fuji Acros 100. Developed using HC110 Dilution F.

Away from the bustling city....

....lies a very peaceful fishing village in the state of Kelantan. Kampung Canggung, located in Bachok, Kelantan where the source of income for most of the villagers comes from the sea.

A local walking towards his hut to prepare for the next trip to the sea. This is where they spend most of their day if they're not out in the sea. Repairing the nets, fixing the boat, resting, drying the fish and a whole lot of activities goes here. Here are some photos of their tools of the trade..

Part of the preparation before they go out to sea is inspecting the fishing nets before being put onboard the boat.

Once they have loaded the net and other things on the boat, they're set to go.

In the old days, fishermen use logs to roll their boat from the shore to the sea. In the modern days, they use a carriage to assist them in pushing the boat until the boat floats on its own. These type of fishermen goes out to the sea for several hours. Those in bigger vessels go out for days, weeks or even months.

During my visit there, I realized that the villagers are very helpful. When the boats come back from the sea, they'll queue up and take turns to be landed and pulled back to the shore. Everybody lends a helping hand, regardless of who owns what boat. It's good to see how they worked together in a group.. sincerely helping out each other in their community, a vanishing trait especially in the city, where a lot of people just care about themselves and don't even know their neighbors, let alone lending a helping hand!

It was a very memorable trip for me. Thanks to Eddieputera who brought us here, I have learned so many things, witnessed in some places, people trust and help each other without any prejudice. I have also learned to be thankful to Allah for what I have, as there are people out there who are struggling just to make ends meet. I hope to be able to visit them again next time..

The End of a Journey

I went for a photo roadtrip to Kelantan with two buddies - Eddieputera and Sarip sometime in July this year. We went to a fishing village (Kampung Canggun) in Bachok and spend about 1 1/2 days there. Armed with my Hasselblad 553ELX and a bunch of films, I spotted a shipwreck on the beach. I've been wanting to shoot a shipwreck for sooo long, so I'm not gonna miss this opportunity.

The End of a Journey



Hasselblad 553ELX, Zeiss 50mm Distagon,
Fuji Acros 100
Rodinal (1:50) 13mins @20C

I like this shot because there's two subjects in the frame that shows a full cycle of a fishing vessel. The main subject (the shipwreck) shows that it's at the end of its journey, no longer needed, left alone letting nature to take its course, while on the far end, you can see another boat still in good shape, in its prime giving its fullest service to the fishermen.

There's more shots from the Kelantan trip. Will be sharing 'em on the other entries very soon.

Perhentian Island IV - Serenity

My trip to Perhentian (Kecil) Island this year proved to be a fruitful one. Having shot both in film (mainly) and digital medium, I have managed (my personal view) to capture the essence of beauty, serenity and tranquility of the island. For those who haven't gone to Perhentian, you need to go at least once in your lifetime. It's a beautiful place, a place where it's exactly the opposite of bustling city atmosphere. Take a break, go on a short holiday, head off to Perhentian. I know I'll be going there again in 2011.

Serenity, Perhentian Kecil, July 2010
Hasselblad 553ELX | CZ 50mm Distagon
Fuji Acros 100 | Rodinal (1:50) 13mins @ 20C

This shot was done on film medium, on a long exposure (~8-10secs), low tide, sunset (more like a hidden set, the sun decided to descend behind the clouds). I loved this shot. I've printed it and framed it.

Perhentian Island II - Fuji Velvia 50

Aside from the Canon EOS5D, I've also brought along my Hasselblad 553ELX to the island together with a bunch of color positive films and B&W films. Here's some shots taken with Fuji Velvia 50, which used to be one of the most preferred films by most photographers. Honestly, this is the first time I've ever shot with this film, and oh boy, I really did fell in love with it.

Hasselblad 553ELX | CZ 50mm Distagon
Fuji Velvia 50
Lab developed

Amazing colors, don't you agree?

KL Sentral Urbanscape

I frequently go to or pass by KL Sentral for meetings or hanging out with buddies, but I haven't really brought my camera to shoot those awesome architectures there. One fine day, I took my Hassy together with me, and with a fellow photographer, Sarip @ Guillotineman, we went for a quick scout with our cameras.

I love this shot with the train passing by in between the high rise buildings. Very modern look.

A shot looking up the tall buildings. I love the lines and the curves in the shot. Some gave feedback that they prefer some details of the skies as in this one the skies are blown. I personally think that the skies details does not carry any significant meaning to the shot as the key elements are the two buildings, colored in shades of grey. IMO, the blown skies contributed to a simple yet elegant look to the shot. Skies with details would've distracted viewers' eyes from concentrating on the lines and curves of the buildings. That's what I think. Others might have a different opinion. Either way, I appreciate the view.

This is another shot on the other side of KL Sentral. The building where the train came out from is the city's main transportation hub, linking up 5 train lines and services, including an express rail service to the airport in Sepang, city bus service as well as taxi services. I also like this shot because as you can see on the background to the right, there's massive building construction going on. In a couple years, this shot will be appreciated even more because another shot from this angle will have buildings (which will probably be taller than the KL Sentral itself) surrounding it, not like what can be seen today..

All shots were shot with a Hasselblad 553ELX with CZ 50mm Distagon on Kodak Tri-X400, developed with Rodinal 1:60, 14mins @ 20C.

Beautiful Provia!

Since I started playing with film camera, I've always wanted to shoot with slides or color positive films despite the higher processing costs. Tested a roll of Provia 100 and boy was I happy. Here's a detailed shot of the Chin Swee Temple in Genting Highlands demonstrating the beautiful colors of Provia.

An architectural study,
Chin Swee Temple, Genting Highlands, January 2010
Yashica MAT 124G | Provia 100

Vacancy For Two - Charcoal Factory, Kuala Sepetang

Had an opportunity to visit again the Charcoal Factory in Kuala Sepetang, Perak a couple months back to make some photos using my Yashica MAT 124G. Shot about 2-3 rolls of B&W film there. One of the shot was taken then I saw a chair and a bicycle parked next to each other, with some light from the outside. There was something special about this shot. Went back home, developed the roll and scanned the shot. Was very happy with the outcome.

Vacancy for Two, Kuala Sepetang, January 2010
Yashica MAT124G | Ilford HP5+ 400.
Ilford LC29 1+29, 6mins 15sec@24C, agitation continuous first 30sec, 10 sec every subsequent minute
Ilfostop 1 min
Ilford Rapid Fixer 4 mins

Several months later, a very good friend has offered to print it for me. Here's a scan of the print that he did. There's 2 versions of the print.

Version 1 - Paper - Ilford MGWTFB, Lith Printing and Selenium toning



Version 2 - Paper - Ilford MGWTFB, Lith Printing, Selenium toning, Bleached and Redeveloped

Thank you Morpheuse for the prints =)

Going larger than 35mm..

A couple months back, I took the plunge venturing into film photography. The chosen format, medium. My first medium format camera is a Yashica MAT124G that shoots in 6x6cm format.





Yashica MAT124G is the last model of the Yashica TLR. TLR stands for Twin Lens Reflex where it uses 2 lenses, one for viewing, one for shooting. Made between 1970 till 1986, this camera is basically a copy of Rolleiflex, hence similarities in controls configuration. Equipped with a built-in lightmeter, Yashica MAT124G is a perfect tool to start your journey into the medium format world.

Lovely camera, takes both 120 and 220 type films be it. Market price is around RM650-850 for a used unit, depending on condition.

I've been shooting for a couple months now with my Yashica MAT124G, and I'm loving it!
Will share some of the works soon =)